Part of Louises Will's research focuses on anthropocene. A huge inspiration is represented by Olafur Eliasson. His work is not limited to the confines of the museum and gallery, it engages the broader public sphere through architectural projects, interventions in civic space, arts education, policy-making, and issues of sustainability and climate change. His practice involves in the artworks, where the spectators recognize themselves in their belonging environment. He believes art has a strong impact outside the museum and argues art can arouse a strong sensitivity in people.
Inasmuch as detecting a very important function in art, arousing sensitivity, Louises Will aim is to make people reflect about historical issues. Working as freelance photographer and art director, her work narrates the relationship between the environment and human beings, as it risk to undermine the world. Human beings' activity modify territories, climate and the structures of the planet.
The influence of human beings over nature is so strong now is nearly impossible to find completely natural spots. She researches the concept of artificial landscapes using painting as a medium which she uses to imagine the future perspectives of the planet. The result are material paintings made using polish, mold, acrylics and plastic on canvas.

Painting made in Pisa, Italy, in October 2020, part of my research about artificial landscape. It's 30x45 cm, made by acrylic and mud. Questo dipinto è stato realizzato a Pisa, Italia, nell'ottobre 2020, ed è parte della mia ricerca riguardo i paesaggi artificiali. E' circa 30x45 cm, acrilico e terra su tela.

Painting made in Pisa, Italy, in August 2020, part of my research about artificial landscape. It's 20x35 cm made by acrylic and plastic on canvas. Questo dipinto è stato realizzato a Pisa, Italia, nell'ottobre 2020, ed è parte della mia ricerca riguardo i paesaggi artificiali. E' circa 30x45 cm, acrilico e terra su tela.

Painting made in Pisa, Italy, in July 2022, part of my research about artificial landscape. It's 180x80 cm, made by acrylic enamel flowers plastic cigarettes branches leaves on canvas. Questo dipinto è stato realizzato a Pisa, Italia, febbraio 2022, ed è parte della mia ricerca riguardo i paesaggi artificiali. E' circa 180x80 cm, acrilico smalto plastica fiori secchi sigarette foglie e rami su tela.

Painting made in Pisa, Italy, in October 2020, part of my research about artificial landscape. It's 30x45 cm, made by acrylic and mud. Questo dipinto è stato realizzato a Pisa, Italia, nell'ottobre 2020, ed è parte della mia ricerca riguardo i paesaggi artificiali. E' circa 30x45 cm, acrilico e terra su tela.

analogue medium format photography, printed on fine art cotton paper on plastic support, 90x90 cm, 2/5 series

analogue medium format photography, printed on fine art cotton paper on plastic support, 90x90 cm, 2/5 series

analogue medium format photography, printed on fine art cotton paper on plastic support, 90x90 cm, 1/5 series

analogue medium format photography, printed on fine art cotton paper on plastic support, 90x90 cm, 2/5 series
Idea
Louises Will researches using photography, as it is the medium that represent reality, experimenting a sort of land art practice using natural scenes and anthropomorphic materials. In her scenes there is a piece of human trace which the viewer do not realize at the first sight.
The result is that the anthropomorphic material vanish in the natural environment and expresses the subtle subjugation of nature by human beings. This experiment, as long as expressing her need to travel to think and develop my ideas, represent an intent of shaping land art with human materials. The result is that is very difficult to find unpolluted areas nowadays. Indeed the natural environment and the plastic materials create compositions which seems normal and natural utterly.






Pisa, Italy, April 2021, 80x120 cm, digital photography

Pisa, Italy, August 2020, 35x30 cm, digital photography

Exhibition
Below there is the resume of Louises Will's showcases about the relationship between human beings and nature. She designed the poster and showed two photos in a collective exhibition at Platform Southwark in London, UK, on December 2019.
Subsequently, she organized a cultural event in Pisa, Italy, in October 2020, called "The hinterland of humans' mind". She worked with photography and printed three photos on fine art paper which were sold to to two Italian collectors. As long as photography she also showed one mirror reflecting about egoism in front of environmental problems, and created a video projected together with thirty minute electronic music concert.
Platform Southwark
The hinterland of humans' mind

shot in Kuala Lumpur, Malaysia, in April 2019, 120x60 cm, digital photography

poster I designed for the exhibition "Emergency art" in London, UK

shot in Kuala Lumpur, Malaysia, in April 2019, 120x60 cm, digital photography

London, UK, November 2019, sandblasted mirror

Malta, August 2020, digital photography, 100x60 cm

Pisa, Italy, November 2020, digital photography, 35x46 cm

London, UK, November 2019, sandblasted mirror
Natura Capovolta




Futuro Retroverso



